
Ashes Awaken Praise the Lord and Pass the Distortion on “Hallelujah”
There are worse ideas than turning a praise song into a metal song. There are certainly more boring ones. Ashes Awaken’s “Hallelujah” begins with a proposition so uncomplicated that sophisticated listeners may instinctively distrust it: sing, praise, repeat. No crisis of identity required. No graduate seminar on the meaning of the chorus. No coy ambiguity concerning whom Michael Stover is addressing. He means God. He says so. Frequently. And somehow that’s part of the fun. “Hallelujah” originally surfaced in another guise through Dust and Grace, whose recording became a Top 5 CDX Positive Country chart hit. Ashes Awaken take Stover’s composition and put considerably more electricity through it. The theology remains intact; the guitars don’t. The basic lyric could fit on the back of a church bulletin: “I wanna sing something to ya I wanna sing hallelujah.” That’s either admirably direct or dangerously simple, depending on your tolerance for praise music. But simplicity has never disqualified a song from rocking. Chuck Berry wasn’t writing The Waste Land. Neither were the Ramones. Sometimes the trick isn’t finding more words. It’s finding the right few and making people want to shout them back. Ashes Awaken understand this. “Hallelujah” works because the band


















