Artist Weekly
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Artist Weekly

Music

Michael St. Over’s “Crave” Turns Desire Into a Rock-and-Roll Ghost Story

Michael St. Over’s “Crave” Turns Desire Into a Rock-and-Roll Ghost Story

October 16, 2026

By Nathan Cole There is a moment in almost every durable rock song about desire when the person being sung to stops being a person and becomes something else. A promise. A threat. A memory. A drug. A door that should not be opened and, inevitably, is. Michael St. Over’s “Crave” lives inside that moment. The song does not begin by asking permission. “I was born to love you baby / You were born to drive me crazy” is the kind of line that carries a century of popular-song baggage with it, from blues boasts and jukebox declarations to arena-rock excess and the lonely mythology of the highway. It is obvious and ridiculous and completely sincere, which is often where rock and roll becomes interesting. The point is not whether anyone was actually born for anybody else. The point is that the singer believes it for the length of the song. That belief matters. “Crave” takes one of popular music’s oldest metaphors, love as addiction, and refuses to dress it up as anything more respectable. Desire here is not elegant. It is not therapeutic. It is not emotionally optimized. It is hunger stripped of manners. The central line, “Your love’s

ARGYRO’s “She’s So LA” Makes a Case for Falling in Love With the Illusion

ARGYRO’s “She’s So LA” Makes a Case for Falling in Love With the Illusion

October 14, 2026

By: Vincent Calder Denver multi-instrumentalist finds humor, romance, and a little cultural absurdity in the endless performance of California cool. Los Angeles has been selling the same fantasy for a century, and business remains excellent. Sunshine, sex appeal, reinvention, expensive sunglasses, and the comforting possibility that your next personality might be more interesting than your current one. Rock musicians have been buying into the arrangement almost as long as Hollywood has been offering it. What makes ARGYRO’s “She’s So LA” worth considering is that Scott Argiro seems to understand the transaction. He knows the merchandise is probably overpriced. He also knows he wants it. That’s a useful distinction. The Denver-based singer-songwriter and multi-instrumentalist isn’t attempting to expose Hollywood’s superficiality as though nobody had previously noticed. Nor is he offering another earnest sermon about authenticity in a world of manufactured personalities. Instead, he gives us a woman who has apparently absorbed the entire Los Angeles experience into her identity, then wonders why that makes her so irresistible. The title itself contains the joke. “She’s So LA” isn’t a geographical observation. It’s a diagnosis, a compliment, and possibly a warning. Three words capable of suggesting everything from glamour to vanity, sophistication to

Doechii Releases “BOMBS” and Reintroduces Swamp Sessions

Doechii Releases “BOMBS” and Reintroduces Swamp Sessions

October 14, 2026

Doechii has returned to her Swamp Sessions series with “BOMBS,” a high-energy track accompanied by a self-directed music video. Released on October 12, 2026, the song pairs rapid-fire rapping with electronic production, marking a new installment in the creative series that helped introduce her 2024 mixtape, Alligator Bites Never Heal. Alongside the release, the Grammy-winning rapper shared a handwritten letter outlining her artistic ambitions, including a commitment to creative freedom, musical experimentation and placing Black womanhood at the center of hip-hop and pop. Key Takeaways Doechii released “BOMBS” on October 12, 2026, reviving her Swamp Sessions series The roughly 90-second track combines glitchy electronic production with rapid-fire verses Doechii directed the accompanying music video, which features contrasting natural and futuristic settings A handwritten letter outlines her commitment to artistic freedom, genre exploration and Black womanhood Her forthcoming debut studio album remains without an announced title or release date Doechii Releases “BOMBS” and Revives Swamp Sessions Doechii’s “BOMBS” marks the return of Swamp Sessions, a series of short musical performances and freestyles that played an important role in her earlier releases. In 2024, the series featured tracks such as “Nissan Altima” and “Catfish,” which subsequently appeared on her mixtape Alligator Bites

Pam Ross Turns Temptation Into Testimony on “Lost in Heaven”

Pam Ross Turns Temptation Into Testimony on “Lost in Heaven”

October 13, 2026

By: Gergory Kaat Country music has always enjoyed placing Saturday-night transgression beside Sunday-morning salvation. Pam Ross understands the tradition, but on “Lost in Heaven,” she has little interest in choosing between the two. Instead, she writes from the charged space where temptation feels sacred, desire resembles deliverance and a private night beneath the trees becomes its own kind of spiritual experience. Released September 11th, “Lost in Heaven” brings together country storytelling, Americana atmosphere and Southern-rock confidence. That description might suggest a carefully balanced genre exercise, but Ross avoids sounding overly calculated. The song moves according to the narrator’s emotional momentum: the music gets louder, the temperature rises, inhibitions disappear and morning arrives before anyone has time to reconsider. Ross begins with uncomplicated physical attraction. Her narrator watches someone dance in faded jeans and immediately recognizes that sleep is no longer part of the evening’s plan. The language is direct and conversational, relying on familiar images rather than elaborate poetic detours. A lesser song might stall there, content to recycle country music’s standard vocabulary of summer heat, moonlight and restless bodies. Ross, however, uses those conventions as an entry point. The essential turn occurs in the chorus, where romantic desire becomes

Jan Daley Finds Steady Ground in A Time for Hope

Jan Daley Finds Steady Ground in A Time for Hope

October 12, 2026

Jan Daley has spent more than five decades in front of audiences, and her latest release returns to a theme she keeps circling back to. “A Time for Hope” arrived on July 31, 2026. The song is a quiet piece of easy listening music about compassion, resilience, and the idea that better days are still ahead. Daley wrote it herself. Motown veteran Michael B. Sutton produced it. What A Time for Hope Says to Listeners The song does not argue or preach. It makes room. Daley built the lyric around the small acts of kindness that hold people together when circumstances turn difficult, and the arrangement stays out of her way. “I’ve always believed music should leave people feeling better than when they arrived,” Daley said. “A Time for Hope is my gift to anyone searching for strength, comfort, or simply a reason to keep believing that brighter days are ahead.” That approach reflects how she has worked for years. Daley writes plainly, and she trusts the listener to meet her partway. A Time for Hope runs on that restraint rather than on volume. The Musicians Who Shaped the Recording Sutton produced the track and played keyboards. He spent seven

Tune in to Glacer FM for Unsigned and Independent Music from Around the World

Tune in to Glacer FM for Unsigned and Independent Music from Around the World

October 10, 2026

If you are always on the lookout for new artists and good music, Glacer FM is the perfect radio station for you. With an online radio broadcast allowing an even bigger audience, people can tune in to Glacer FM all over the world and discover incredible new music that you will love. A global internet radio station focused on unsigned and independent music, Glacer FM is aimed at music lovers and upcoming musicians worldwide. Radio listeners can enjoy the music and find something new at Glacer FM with a wide variety of styles and genres played to suit everyone. Not only does Glacer FM offer a brilliant radio station, the website provides even more standout features to keep listeners entertained all day. Features include: 4 Unique Channels Glacer FM hosts 4 different channels to suit the styles of all listeners, whether you prefer a wide mix of genres or a specific channel for hip-hop and R&B, rock and country or underground showcasing the best from independent and unsigned artists. Glacer Mix – offers a wide variety of music genres including Pop, Alternative, Jazz, Classical, Dance, Reggae and House as well as hosting interviews and shows from cultures around the world.

Susie Cave Designs Phoebe Bridgers’ Lost Tour Wardrobe

Susie Cave Designs Phoebe Bridgers’ Lost Tour Wardrobe

October 8, 2026

Fashion designer Susie Cave is creating custom wardrobe pieces for Phoebe Bridgers’ The Lost Tour, connecting Cave’s design work with the singer’s current live performances. The collaboration includes dresses made specifically for the tour supporting Bridgers’ latest solo album, Lost Weekend. Key Takeaways Susie Cave is designing custom wardrobe pieces for Phoebe Bridgers’ The Lost Tour The collaboration includes dresses created specifically for Bridgers’ performances The Lost Tour supports Bridgers’ latest solo album, Lost Weekend Cave has previously created custom stagewear for musicians, including Florence Welch Bridgers’ tour includes North American dates followed by UK and European performances Susie Cave Creates Custom Wardrobe for Phoebe Bridgers’ Lost Tour Susie Cave is creating custom wardrobe pieces for Phoebe Bridgers as the singer performs on The Lost Tour. The collaboration includes dresses designed specifically for Bridgers’ live performances. The wardrobe forms part of the visual presentation surrounding Bridgers’ current solo era and the tour supporting Lost Weekend. Cave’s designs are being worn onstage rather than developed as a separate fashion collection. The collaboration places fashion alongside music as part of the tour’s overall presentation. Stage clothing has long contributed to how musicians develop their visual identities, with performance costumes becoming an important

Elvira Kalnik’s “Dad” Makes the Hard Part of Remembering Matter

Elvira Kalnik’s “Dad” Makes the Hard Part of Remembering Matter

October 4, 2026

By: Robert Carmen The hardest part of a tribute song may be deciding what to leave unfinished. A memory can be arranged into a story. A vocal can be corrected. A difficult moment can be replaced with a more controlled take. Elvira Kalnik’s “Dad,” due October 9, is built around a decision to preserve what happened when control became impossible. In her account of the recording, the sighs, catching breaths, and imperfections remain because they belong to the person singing. That choice gives the single a compelling premise. Kalnik’s father introduced her to music, teaching her guitar and singing lullabies during childhood evenings also filled with fairy tales. Music belonged to the dependable world he created for her. After his death, returning to it meant encountering the absence of the person who had made it feel safe. The song came to her almost immediately after his passing. The recording took six months to begin. That distinction is easy to overlook when discussing songwriting as an outlet for emotion. An idea can arrive before its author has the strength to perform it. Kalnik had the song, but singing required her to confront feelings that having written it had not resolved. Her

Andy Star Debuts New Music at Miss Silicone Los Angeles 2026

Andy Star Debuts New Music at Miss Silicone Los Angeles 2026

October 2, 2026

WEST HOLLYWOOD, CA, Singer, performer, and producer Andy Star introduced new original music during Miss Silicone Los Angeles 2026, bringing his work as a recording artist together with the launch of the growing Miss Silicone USA platform. Held September 26 at White Rabbit Sky Lounge in West Hollywood, the event marked the debut of Miss Silicone Los Angeles and featured pageantry, fashion, and live entertainment. Rosalyn Clarin was crowned Miss Silicone Los Angeles 2026 following a competition between six contestants. For Star, however, the night also represented a new chapter in his music career. A Preview of Andy Star’s Upcoming Album During the event, Andy Star performed original material, including new music from his upcoming album, giving the Los Angeles audience an early preview of the project. The performance placed Star’s music at the center of an event he was simultaneously helping bring to life behind the scenes. Star has been developing new original material while continuing his work as Founder and Producer of Miss Silicone USA, combining two areas of his creative career that are increasingly developing alongside one another: music and live entertainment production. Rather than presenting the music as an isolated performance, the September 26 show incorporated

Bonnie Milne Lets Memory Move Forward on “Glimpses”

Bonnie Milne Lets Memory Move Forward on “Glimpses”

October 2, 2026

By: Michael Swede Memory rarely arrives as a complete narrative. It comes as light across a familiar room, the scent of something baking, a child’s laughter heard where no child is standing. Canadian pianist and composer Bonnie Milne builds “Glimpses” from that fragmentary experience, creating an instrumental work whose emotional meaning emerges through contrast rather than declaration. The piece, featuring percussionist Dave Hewitt, begins in an atmosphere of quiet recollection. Milne’s piano does not introduce itself with virtuosic ceremony. Instead, it enters as though already occupied by thought. Her measured phrases leave room around the notes, allowing the listener to register resonance as part of the composition. Silence here is not emptiness. It is the space in which an image forms. Milne has traced the work’s inspiration to memories of her sons playing outside as children, gatherings around the family table, her mother’s baking, and walks spent holding her father’s hand. Such details could easily encourage excessive sentimentality, but “Glimpses” generally resists that temptation. It does not attempt to illustrate individual scenes. The music is concerned with the unstable emotional condition of remembering them. That instability is expressed through Milne’s movement between major and minor harmonies. The major chords offer

Revisiting Bosko Baker’s ‘Business for the Business Man’

Revisiting Bosko Baker’s ‘Business for the Business Man’

September 27, 2026

Bosko Baker has built a career around keeping things moving. Whether he’s writing, recording, or heading out for another run of shows, music seems to work best for him when it exists beyond the studio. “Business for the Business Man” offers another chance to revisit that world. Originally appearing on Baker’s 2024 album Mr. Brown & Mr. Blue Volume One, the track isn’t his latest release, but it remains part of a wider catalog shaped by storytelling, roots-driven songwriting, and an artist who has spent years developing his music in front of real audiences. With no detailed press notes explaining the exact meaning behind “Business for the Business Man,” it makes more sense to let the song sit within that wider picture rather than forcing an interpretation onto it. The track belongs to an album that represents one chapter in a career that has rarely stood still for long. Touring, in particular, has become a constant. Baker regularly takes his music on the road, whether that means playing locally, traveling across the United States or heading over to the UK. That consistency has allowed the songs to develop a life beyond their recorded versions, emphasizing the kind of direct connection

Leo Niño Showcases His Genre-Blending Sound Across ‘Mexican Summer’

Leo Niño Showcases His Genre-Blending Sound Across ‘Mexican Summer’

September 27, 2026

With Mexican Summer, Leo Niño isn’t introducing himself through just one sound. The Mexican-American artist uses the album to bring together psychedelic alternative rock, indie, shoegaze, and flashes of Latin influence, creating a debut project that feels varied without losing the identity running through it. Behind Leo Niño is 24-year-old songwriter and multi-instrumentalist Wyatt Reichart. Now based in Asheville, North Carolina, Reichart primarily builds his music around guitar and vocals, while also playing drums and piano. His influences span genres and eras, and that open-minded approach is evident throughout Mexican Summer. Tracks like “Selective Hearing,” “What I Seem To Be,” and “Swan Dive” are particularly strong examples of the wider world Leo Niño is creating. Rather than relying on one obvious formula, the album gives its songs room to develop their own personalities. “Selective Hearing” opens up another side of Leo Niño’s alternative sound, while “What I Seem To Be” continues the journey through the record. Later, “Swan Dive” adds another piece to the album before its closing stretch. Without needing every song to tell the same story or occupy the same musical space, they help Mexican Summer feel like a full project rather than simply a collection of singles.

Lauren Cassidy Turns Self-Trust Into Indie-Pop Confidence on ‘Two Things’

Lauren Cassidy Turns Self-Trust Into Indie-Pop Confidence on ‘Two Things’

September 26, 2026

Lauren Cassidy knows that two completely opposite feelings can exist at the same time. You can love somebody and know you need to leave them. You can miss what you had while understanding that going back isn’t right. And sometimes, moving forward doesn’t require pretending the past meant nothing. That complicated middle ground sits behind “Two Things,” but for Cassidy, the song also feels like part of a much bigger period of moving forward. The 27-year-old indie-pop artist grew up in New York before making Utah her home, bringing years of songwriting and performance experience into a project that has increasingly become about connection. Her background stretches back to musical theatre and writing songs as a teenager, eventually developing into the artist and online community she has built today. That community has become a significant part of Cassidy’s story. With an audience of more than 450,000 across social media and over 2,000 members within her Healing Garden community, her music exists alongside a space built around honesty, growth, and finding other people who understand what you’re going through. “Two Things” fits naturally into that world. The song was inspired by something Cassidy encountered through therapy: the idea that two things

Why Big Cade's Music Feels Different in an Era of Disposable Hip Hop

Why Big Cade’s Music Feels Different in an Era of Disposable Hip Hop

September 21, 2026

Spend enough time listening to new hip hop releases and a pattern starts to emerge. The production changes. The slang evolves. The trends come and go. Yet much of it begins to sound interchangeable. Then an artist like Big Cade comes along. The rapper from Tuscaloosa, Alabama, is not trying to reinvent Southern hip hop. He is doing something that may be even harder. He is reminding listeners why honesty still matters. His latest single, “Fall Out,” is not built around internet moments or catchy one-liners designed for short clips. Instead, it tackles something everyone eventually faces. The realization that growth sometimes requires leaving people, places, and habits behind. It is a subject that does not need exaggeration because life has already written the script. Music That Comes From Experience There is a noticeable difference between artists who have something to say and artists who simply have something to release. Big Cade belongs in the first group. His writing rarely feels manufactured. Instead, it carries the weight of someone documenting his own journey while inviting listeners to reflect on theirs. That is probably why his music resonates with people navigating change, responsibility, and personal growth. There is no attempt to

Two Storms, One Stage: The Perfect Storm and Eleyet McConnell Earn Josie Music Awards Recognition

Two Storms, One Stage: The Perfect Storm and Eleyet McConnell Earn Josie Music Awards Recognition

September 21, 2026

By: Jordan Blake Independent music has always belonged to artists willing to create without waiting for permission. That spirit runs through the work of The Perfect Storm and Eleyet McConnell, two rising acts whose recent Josie Music Awards nominations recognize careers built through persistence, musical chemistry, and an unmistakable sense of identity. Although the two groups occupy different corners of the rock landscape, they share an important quality: neither sounds assembled by committee. Their music reflects lived experience, strong personalities, and the kind of artistic confidence that develops when musicians trust their instincts. The Perfect Storm has turned that confidence into a remarkably successful chapter with its debut album, Maiden Voyage. The record’s title is appropriate, not because the band sounds tentative, but because it captures musicians embarking on a new journey together. Rather than treating the album as a cautious introduction, The Perfect Storm arrived with the conviction of an established act. The group’s sound pulls from classic rock, Americana, country, and melodic pop without settling permanently into any one category. That flexibility gives Maiden Voyage its personality. The songs feel familiar enough to invite listeners inside, yet distinctive enough to establish the band’s own musical character. At the

Nirvana Named 2026 MTV Video Vanguard Award Recipient

Nirvana Named 2026 MTV Video Vanguard Award Recipient

September 12, 2026

Nirvana will receive MTV’s Michael Jackson Video Vanguard Award at the 2026 MTV Video Music Awards on Sept. 27. The honor recognizes the band’s contribution to music-video culture, including influential videos for songs such as “Smells Like Teen Spirit,” “Come as You Are,” “In Bloom” and “Heart-Shaped Box.” Key Takeaways Nirvana will receive MTV’s Michael Jackson Video Vanguard Award at the 2026 MTV Video Music Awards. The ceremony is scheduled to air live on CBS on Sept. 27, with a simulcast on MTV and streaming on Paramount+. MTV announced the honor on Sept. 9, the anniversary of Nirvana’s 1992 VMAs performance. Nirvana released music videos for songs including “Smells Like Teen Spirit,” “Come as You Are,” “In Bloom” and “Heart-Shaped Box.” The Video Vanguard Award recognizes artists for contributions to music-video innovation and visual music culture. Nirvana Receives MTV’s 2026 Video Vanguard Honor The Nirvana Video Vanguard Award will be presented at this year’s MTV Video Music Awards, giving the band recognition for its work in music videos and its contribution to visual music culture. MTV announced the honor on Sept. 9 ahead of the ceremony scheduled for Sept. 27. The award is formally known as the Michael Jackson Video

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