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Greta Gerwig’s Narnia Trailer Reveals First Look at Fantasy Film

Greta Gerwig’s Narnia Trailer Reveals First Look at Fantasy Film

Netflix has released the first trailer for Greta Gerwig’s adaptation of Narnia: The Magician’s Nephew, introducing the film’s cast, fantasy settings and music. Based on C.S. Lewis’s 1955 novel, the film is scheduled to open in theaters on February 12, 2027, before arriving on Netflix on April 2. Key Takeaways Netflix released the first trailer on October 13, 2026, introducing Gerwig’s adaptation of The Magician’s Nephew The story follows Digory and Polly as they travel between magical worlds and witness the creation of Narnia Daniel Craig, Emma Mackey, Carey Mulligan and Meryl Streep are among the cast Led Zeppelin’s “Stairway to Heaven” accompanies the trailer The film opens in theaters on February 12, 2027, followed by its Netflix premiere on April 2 Netflix Releases the First Trailer for Greta Gerwig’s Narnia Film Netflix unveiled the first trailer for Narnia: The Magician’s Nephew on October 13, providing an extended look at Gerwig’s interpretation of the fantasy novel. The footage introduces the central characters, magical environments and visual approach to Lewis’s fictional world. Gerwig wrote and directed the film, which explores events preceding The Lion, the Witch and the Wardrobe. Rather than revisiting the storyline of earlier screen adaptations, the production begins

Frieze London Artists Explain Their Creative Processes

Frieze London Artists Explain Their Creative Processes

Eight British-based artists preparing to show work at Frieze London 2026 have shared how materials, personal experiences and cultural influences shape their art. Their practices span sculpture, painting, charcoal drawing, photography, printmaking and textiles. The fair takes place October 14–18 in Regent’s Park, London. Key Takeaways Eight artists discussed the ideas and methods behind works prepared for Frieze London 2026 Kira Freije combines metal and fabric in sculpture, while Jake Grewal works with charcoal and painting Mohammed Z Rahman draws on Bangladeshi craft traditions, and Alvaro Barrington incorporates hip-hop into portraiture Poppy Jones and Christina Kimeze explore how unconventional surfaces affect an artwork Frieze London runs October 14–18 in Regent’s Park Frieze London Artists Prepare for the 2026 Art Fair Kira Freije, Mohammed Z Rahman, Jake Grewal, Alvaro Barrington, Louise Giovanelli, Shaqúelle Whyte, Poppy Jones and Christina Kimeze have discussed the works they are presenting and the decisions behind them. Their accounts move beyond finished images to the methods used in the studio. Some focus on combining materials, while others draw on family histories, music, memories or familiar objects. Those differences show how artists arrive at distinct forms of expression within the same contemporary art fair. Contemporary Artists Explore Sculpture,

Dead Man’s Bones Releases First New Song in 17 Years

Dead Man’s Bones Releases First New Song in 17 Years

Dead Man’s Bones, the musical duo of Ryan Gosling and Zach Shields, has released “Lost in the Night,” its first new song since 2009. Produced with longtime collaborator Tim Anderson, the track marks the duo’s return after 17 years and arrives with a black-and-white music video starring Noah Jupe and Rain Spencer. Key Takeaways Dead Man’s Bones released “Lost in the Night” on October 27, 2026, ending a 17-year gap between new songs. Ryan Gosling and Zach Shields recorded the track in one day at a farm outside Los Angeles. Longtime collaborator Tim Anderson produced the single. Noah Jupe and Rain Spencer star in the accompanying black-and-white music video. The duo’s only studio album, Dead Man’s Bones, was released in 2009. Dead Man’s Bones Returns With “Lost in the Night” After 17 Years Ryan Gosling and Zach Shields have revived Dead Man’s Bones with “Lost in the Night,” their first new music since releasing their self-titled debut album in 2009. The single, released through ANTI- Records, marks the end of a lengthy recording hiatus for the duo, whose original work blended gothic folk, indie rock, doo-wop and theatrical storytelling. “Lost in the Night” retains elements of the band’s atmospheric style

Christopher Nolans The Prestige Heads to IMAX for the First Time

Christopher Nolan’s The Prestige Heads to IMAX for the First Time

The Prestige IMAX release is scheduled to bring Christopher Nolan’s 2006 thriller back to select U.S. theaters on January 29, 2027, with its first IMAX engagement and 70mm showings. The anniversary program also includes 35mm and digital 2D screenings, drawing attention to the film’s Oscar-nominated cinematography and production design. Key Takeaways Walt Disney Studios announced the January 29, 2027, U.S. theatrical return on October 20, 2026 The film will receive its first IMAX and 70mm presentations, alongside 35mm and digital 2D screenings Cinematographer Wally Pfister originally photographed the film on anamorphic 35mm The Prestige received two Academy Award nominations for cinematography and art direction in 2007 Participating theater locations and format-specific schedules have not been fully announced Christopher Nolan’s The Prestige is set to return to select U.S. theaters on January 29, 2027, with its first IMAX engagement and a separate 70mm film presentation. Walt Disney Studios announced the plans on October 20, exactly 20 years after the thriller opened in the United States, and released an anniversary teaser and poster alongside the date. Rather than a sequel or a new cut, the booking is a theatrical return of the 2006 feature. Hugh Jackman and Christian Bale portray rival illusionists

Dead Man’s Bones Releases First New Song in 17 Years

Dead Man’s Bones Releases First New Song in 17 Years

Dead Man’s Bones, the musical duo of Ryan Gosling and Zach Shields, has released “Lost in the Night,” its first new song since 2009. Produced with longtime collaborator Tim Anderson, the track marks the duo’s return after 17 years and arrives with a black-and-white music video starring Noah Jupe and Rain

Artists and Personalities

Frank Stella’s Work Returns to New York Galleries in 2027

Frank Stella’s Work Returns to New York Galleries in 2027

Paula Cooper Gallery and Sprüth Magers will present separate exhibitions of Frank Stella’s work in New York in spring 2027, with the presentations organized alongside the Frank Stella Estate. The exhibitions will focus on works from the late 1970s and early 1980s and will be the first gallery presentations dedicated to Stella since his death in May 2024. Key Takeaways Paula Cooper Gallery and Sprüth Magers will present separate Frank Stella exhibitions in New York in spring 2027. The exhibitions will focus on Stella’s work from the late 1970s and early 1980s. The Frank Stella Estate is involved in organizing both exhibitions. The shows will be the first gallery presentations dedicated to Stella since his death in May 2024. Both galleries will also present individual Frank Stella works at Art Basel Paris. Frank Stella Exhibitions Set for New York in Spring 2027 A Frank Stella exhibition will be presented by Paula Cooper Gallery and Sprüth Magers as part of two separate New York gallery presentations scheduled for spring 2027. The exhibitions will center on Stella’s work from the late 1970s and early 1980s. The two galleries will mount their own presentations rather than combining the material into a single exhibition.

Music

Blondie Sets February 2027 Release for New Album High Noon

Blondie Sets February 2027 Release for New Album High Noon

Blondie will release its 12th studio album, High Noon, on February 26, 2027, via BMG. The 13-track record is the band’s first collection of new studio material since 2017’s Pollinator and includes the final recordings of co-founding drummer Clem Burke, who died in April 2025. The announcement arrived alongside “Spectral Eyes,” a single written by and featuring former Smiths guitarist Johnny Marr. Key Takeaways High Noon is scheduled for February 26, 2027, nine years after Pollinator. The 13-track album will be Blondie’s 12th studio release. Johnny Marr wrote and plays guitar on the lead single, “Spectral Eyes.” The record features Clem Burke’s final studio recordings with the band. John Congleton produced the album, with contributions from Glen Matlock, Zach Condon and members of Lucius. Blondie Confirms High Noon Release Date Blondie has confirmed February 26, 2027, as the release date for High Noon, its first studio album of new material in nine years. The album follows Pollinator, released in 2017, and marks another chapter for a group whose music has crossed punk, new wave, pop and dance styles since emerging from New York’s downtown scene in the 1970s. The track list contains 13 songs, beginning with “Spectral Eyes” and including

News

Aideen Malone Details Lighting Design for Into the Woods

Aideen Malone Details Lighting Design for Into the Woods

Lighting designer Aideen Malone has discussed the technical challenges and visual decisions behind the West End production of Stephen Sondheim’s Into the Woods. Her work transforms the musical’s forest from a luminous setting into a darker landscape as the characters’ fairy-tale journeys take unexpected turns. Key Takeaways Malone received an Olivier Award for her lighting design for Into the Woods. The production’s forest shifts from an inviting landscape to a darker environment as the story progresses. Smoke, haze and carefully directed light create depth and atmosphere across the stage. Director Jordan Fein, set designer Tom Scutt and video designer Roland Horvath collaborated on the production. Malone’s theatre career includes work with choreographer Akram Khan and director Sally Cookson. Aideen Malone Leads the Lighting Design for Into the Woods Lighting designer Aideen Malone has described the unfinished details and technical challenges behind the West End production of Stephen Sondheim’s Into the Woods, the musical whose changing forest environment earned her an Olivier Award. Her account of the production covers the use of atmospheric effects, the treatment of light across different scenes and the collaboration required to bring the stage environment together. Malone said she considered the production one of the most