Artists & Personalities

Beyoncé and Jay‑Z Lead Celebrity Power Rankings

Beyoncé and Jay‑Z Lead Celebrity Power Rankings

Beyoncé and Jay‑Z, often regarded as one of the most influential celebrity couples, have once again claimed their position at the top of the celebrity power rankings in 2026. With a combined net worth estimated at $3.5 billion, they continue to lead the entertainment world in both financial success and cultural influence. The couple’s achievements in music, fashion, business, and media keep them at the forefront of discussions about the most powerful figures in global entertainment. With Beyoncé’s global tours, groundbreaking music releases, and Jay‑Z’s diversified business empire, the pair’s impact extends far beyond music. Their joint ventures and personal accomplishments continue to shape trends, solidifying their spot as a dominant force in the industry. Jay‑Z’s Continued Dominance in Music and Business Jay‑Z remains at the pinnacle of wealthy music entrepreneurs, with his estimated net worth around $2.5 billion in 2026. His diverse portfolio includes investments in real estate, fashion, spirits, and technology, expanding far beyond his roots in the music industry. As the founder of Roc‑A‑Fella Records, he has been a significant influence on the evolution of modern hip-hop and continues to play a major role in shaping the entertainment business landscape. Jay‑Z’s business ventures, including Armand de Brignac

Jeff Robinson and the Formation of Good Earth Pottery – Tracing a Ceramic Career in the Southeastern United States

Jeff Robinson and the Formation of Good Earth Pottery – Tracing a Ceramic Career in the Southeastern United States

The emergence of ceramic art in the United States during the latter part of the twentieth century involved notable influences from artist communities in various regions that intermingled live/work practices with studio practices. During this time, small groups of artists connected to develop shared communities to both research similar technical experiments and processes of artistic expression, as well as develop ecosystems for locally made ceramics. These communities expressed the concepts and values of sustainability, and handcrafted methods, and sought to create mutual support, which paralleled cultural movements toward artisanal practices and collective art making. Thus, Louisiana and Arkansas became centers for new studio pottery, attracting artists who hoped to achieve both professional development and community in ceramics. Jeff Robinson was born in 1949 in New York. He became involved in the field of ceramics after studying business at Florida Atlantic University (FAU) in the late 1960s. With a strong desire to learn ceramics, Robinson transitioned away from the business track and began studying ceramics. At FAU, he eventually became an apprentice of David Tell, a ceramic artist, from 1969 to 1973, who was a faculty member of FAU during those years. Through this apprenticeship process, Robinson learned all of the

What Your Friend’s Art Style Says About the Ideal Gift for Them

What Your Friend’s Art Style Says About the Ideal Gift for Them

It is much easier and more important to present gifts when you know someone’s worldview. A person’s art style is one of the most overlooked indicators. Regardless of your friend being a painter, designer, photographer, or just an art lover, his or her choices about art reveal the way he or she thinks, feels, and expresses himself or herself. Gifting them something that aligns with their aesthetic demonstrates attentiveness, emotional intelligence, and sincere interest. This is the way in which the various forms of art can lead you to the ideal gift. The Minimalist: Clean Lines, Calm Energy Friends who lean towards minimalist art like simplicity, balance, and intentionality. Their tastes are simple and non-indulgent, minimalistic in their decor, and stylish without being showy. To them, it is distracting when there is too much, and it is meaningless when there is too little. Presents that are useful but sophisticated are the ideal gifts for minimalists. Consider stylish packaging, quality materials, and experience over quantity. A carefully selected gift, with a sense of serenity and intent, will be more impactful than a loud, over-decorated gift. Congratulatory gifts, too, must be classy and silent instead of fancy. The Abstract Thinker: Emotion Overrules

Qishan Li: SELF IN THE MIRROR

Qishan Li: SELF IN THE MIRROR

By: Valentina Shaeva In her visual practices, Qishan Li is particularly drawn to the human body, which is under constant pressure and tension. Undoubtedly, every day we experience pressure from the system, space, and even the gaze of an onlooker. Artist’s previous work piece, Y3, currently on view at 1215 Gallery in Canada, makes this tension visible and almost physically palpable. However, Li’s approach is not through the spectacle inherent in video art, but through the restrained rhythm of repeated images. Y3 does not explain itself. Instead, it conceals its obvious meaning. Digital art compels viewers to slow down, look closely, and perceive the image as a coded form rather than a narrative.  In Y3, Li employs segmented and repeated frames and rhythm to convey a sense of control born of the anxiety associated with a constant need for attention. The work reflects the artist’s interest in how the environment shapes human behavior. She is particularly interested in public spaces associated with productivity and self-improvement, such as the gym. This issue directly resonates with her current work,  SELF IN THE MIRROR, completed in 2025. However, in this work, the artist’s focus becomes more specific and focused. The exhibit SELF IN

The Gallery That Teaches: How a Galaxy of Happy Art Is Turning Virginia’s Creators Into CEOs

The Gallery That Teaches: How a Galaxy of Happy Art Is Turning Virginia’s Creators Into CEOs

Most artists don’t fail because of their work. They struggle because no one ever teaches them how the systems surrounding art function. Pricing can feel arbitrary. Promotion is inconsistent. Gallery relationships are often unclear. For many creators, progress depends less on skill and more on visibility—being seen by the right person at the right time. That imbalance is the problem A Galaxy of Happy Art was built to address. Founded by Ren Feliz-Durishin, AGHA operates on a simple but uncommon belief: artists don’t need rescuing—they need structure. And when that structure exists, artists can operate like business owners without losing the essence of their work. A Founder Who Questioned the Traditional Trade-Off Although art was always present in Ren Feliz-Durishin’s life, acrylic abstraction ultimately became her primary focus. That shift came gradually, informed by patience and technical exploration rather than urgency. When the pandemic disrupted daily life, fluid art offered stability. Watching pigment behave unpredictably yet within constraints helped clarify the direction she wanted her work—and her professional path to take. At the same time, her experience navigating traditional gallery systems sharpened a long-standing concern. Abstract acrylics were often underrepresented. Commission structures routinely claimed 30 to 50 percent of an

Deep Plane Facelift Sparks Hollywood Shift Toward Natural Aesthetics

Deep Plane Facelift Sparks Hollywood Shift Toward Natural Aesthetics

A growing number of celebrities in Hollywood have turned to the deep plane facelift, a procedure that has quickly gained traction due to its ability to offer subtle, natural results. The deep plane facelift has become more popular than traditional facelifts, as it addresses deeper layers of the face—including muscles, fat pads, and ligaments—rather than simply tightening the skin. This technique results in more enduring, youthful appearances, with fewer signs of surgical intervention. While it’s traditionally been associated with older techniques, the deep plane facelift has become synonymous with a more natural aesthetic, aligning with current beauty trends in the entertainment industry. Celebrities are increasingly seeking out procedures that provide long-lasting, authentic-looking results without the artificial “pulled” or “wind-swept” look seen in earlier facelift styles. What Makes the Deep Plane Facelift Different The deep plane facelift differs significantly from older facelift techniques that primarily focus on tightening the skin. Instead, this advanced procedure targets the underlying facial structures. Surgeons reposition deeper facial layers, such as muscles and fat pads, which leads to longer-lasting effects and a more natural look. Unlike more surface-level facelifts, which may only last a few years before signs of aging reappear, deep plane facelifts can offer

Marie Puniak Experience, Balance, and a Client First Approach to Timeless Hair at Craft Collective Salon Group

Marie Puniak: Experience, Balance, and a Client First Approach to Timeless Hair at Craft Collective Salon Group

By: Abigail Hensley A Stylist Grounded in Consistency and Care Marie Puniak brings a steady, experienced approach to hairstyling that emphasizes balance, clarity, and long-term results. As a stylist at Craft Collective Salon Group, her work reflects a belief that great hair should feel natural, wearable, and aligned with the client’s everyday life rather than overly styled or trend-driven. Marie’s philosophy centers on thoughtful execution and reliability. Clients value her ability to create polished results that grow out well and remain manageable between appointments. Entering the Industry With a Service Mindset Marie’s path into the hair industry was shaped by a desire to work closely with people and to develop a strong technical skill set. Early in her career, she focused on mastering the fundamentals of cutting, color placement, and hair behavior. By building a solid foundation, Marie developed the confidence to work across a wide range of hair types and styles. Her approach reflects patience, discipline, and respect for the craft, allowing her to adapt while maintaining consistency and quality. A Consultation Process Built on Listening and Trust Consultation is central to Marie’s client experience. Each appointment begins with a thoughtful conversation designed to understand the client’s goals, routine,

Designing for Multiple Realms: How Mina Kim Shapes Identities for Objects, Spaces & Screens

Designing for Multiple Realms: How Mina Kim Shapes Identities for Objects, Spaces & Screens

For designer Mina Kim, every project is part of a larger orchestrated system where visual identity moves fluidly between digital and physical forms. Her work spans from Motorola’s award-winning camera design to exhibition identities at the RISD Museum and the San Francisco Museum of Modern Art (SFMOMA)—each demonstrating how design can organize perception across materials, scales, and contexts. At the RISD Museum, Kim designed the visual identity for Inherent Vice (Jan 29–Jul 10, 2022), an exhibition exploring the fragility of historic textiles. The system referenced the show’s themes of deterioration and material memory through restrained typography and subtle motion elements that suggested disintegration. The identity lived across gallery graphics, publications, and digital screens—maintaining a cohesive tone without flattening the complexity of the subject. Kim’s ability to adapt design systems to the specific needs of each project has been a key factor in her success. Whether working on a museum exhibition or a consumer product, she brings a deep understanding of the cultural context and audience. For example, her work on the Inherent Vice exhibition at the RISD Museum required her to engage with the material history of textiles, interpreting fragile objects through design. She didn’t just create an aesthetic; she

Deviations in Rupture: Liu Feng’s Solo Exhibition Reveals a Contemporary Expression of the Body and Its Burdens

Deviations in Rupture: Liu Feng’s Solo Exhibition Reveals a Contemporary Expression of the Body and Its Burdens

On January 31, 2026, artist Liu Feng (also known as Liu Zhenfeng) concludes his debut solo exhibition Deviations in Rupture at Hello Market, New York. Curated by Lan Shi, this exhibition presented a powerful series of paintings created in the post-pandemic era. As a multi-disciplinary artist working across painting, photography, and moving image, Liu offers a poignant contemporary expression centered on the body, weight, and emotional states of our time. The title Deviations in Rupture points to the instinctual bodily reactions to fracture—whether personal or societal. Figures in Liu’s paintings are often shown suspended, twisted, or bending under an invisible load. These seemingly absurd yet precisely rendered poses evoke a collective post-pandemic subconscious. “In my paintings, time and space are both extracted,” Liu explains. “The only protagonist left is the body.” Painting as a Return Though initially trained in digital media and film—and having directed several documentaries and commercial projects in China—Liu Feng never truly left painting behind. He recalls childhood memories of martial arts comics his aunt brought back from Hong Kong, and teenage years spent copying Rubens. It was during the COVID lockdowns that he picked up the brush again: “Back then, painting wasn’t for display,” he says,

The Early Musical Journey of Lesley Ray and the Influence of Orchestral Performance on Her Later Design Work

The Early Musical Journey of Lesley Ray and the Influence of Orchestral Performance on Her Later Design Work

Classical training remains one of the most effective means of developing discipline and ear conducive to a career in music. Young individuals who learn an instrument over several years exhibit enhanced memory and language development. Additionally, involvement in an orchestra is correlated with increased cooperation and attention. In the United States, youth orchestras for advanced musicians give thousands of children and adolescents the unique chance to receive technical instruction and participate in large group experiences in public performance. An example of this type of opportunity is the Contemporary Youth Orchestra, located in Cleveland, Ohio, since 1995, and known for its unique aspect of youth and adult musicians performing together in the orchestra. In this environment, Lesley Ray built a foundation that would serve her far beyond her musical abilities. She was born on January 13th, 1989, in Cleveland, Ohio, and began to learn the violin when she was six, normally the same age when many professional string players begin to put in years of their life developing technique. The initial exposure to classical and contemporary literature helped develop an ear for tone and timing, which would serve her later in other creative areas. Ray learned from conductor Liza Grossman, who

Tracing the Career Path of Composer Clive Osgood within the Contemporary British Classical Landscape

Tracing the Career Path of Composer Clive Osgood within the Contemporary British Classical Landscape

In the larger discussion about classical music’s status in the twenty-first century as an art form, the debate is increasingly about how composers now navigate between tradition and modernity. British classical composition continues to be challenged by its past but seeks out fresh audiences for established forms. Institutions, festivals, and educational opportunities have all helped guide the career paths of those fortunate enough to traverse that gap, producing music for faithful concert audiences and more recent audiences alike. The visibility of particular composers in radio performances, recordings, and national concert listings tends to signal a gradual but relentless movement in the larger cultural dialogue. Clive Osgood’s career path is usually portrayed as an exemplar of how such an equilibrium can be achieved. Educated and born in the United Kingdom, he followed a course that combined formal study of music with actual composing. His formal education includes study at St John’s College, before graduating from Bangor University, Cardiff University, and the University of Surrey. This early training provided him with experience in analytical music study as well as compositional skill, later enabling him to collaborate successfully in a variety of stylistic settings. One of the features of Osgood’s compositions is their

At the Edge of Celebration, a Family Reckons: "IMPACT" Finds Humor, Faith, and Fracture in the Space Between Trauma and Joy

At the Edge of Celebration, a Family Reckons: “IMPACT” Finds Humor, Faith, and Fracture in the Space Between Trauma and Joy

By: Jim Manley Onstage, a family prepares for a Bat Mitzvah. There is planning to be done, food to be discussed, and jokes to be lobbed across the room. What lingers underneath, however, is not anticipation but unease. Something has happened. Everyone knows it. No one wants to be the first to say it aloud. That uneasy calm is the terrain of IMPACT, a new play by Rebecca Lynn Goldfarb, running February 2 through 8 at The Tank. Directed by Rosie Corr, the production arrives after a long period of development and a sold-out industry presentation, carrying with it the quiet confidence of a work that seems to have a clear sense of what it is and what it intends to explore. IMPACT is not a trauma drama in the traditional sense. It does not build toward a single revelation or cathartic release. Instead, it tracks how families process rupture over time. Jokes transform into defenses. Rituals continue even when belief feels fragile. Love persists alongside anger without necessarily resolving it. Humor is not simply a tonal choice but is positioned as a survival strategy. “Humor has always been my lifeline,” Goldfarb said. “It’s helped me survive the moments that

Jingchao Yang’s Churning Seas: Transformative Art Against Ecological Dystopia and the Redemption of Gaia

Jingchao Yang’s Churning Seas: Transformative Art Against Ecological Dystopia and the Redemption of Gaia

By: Kalinca Costa Söderlund A strand of calmness, melancholy, and wildness runs through Jingchao Yang’s video art, until it leads us to find ourselves in a world away from how we have it now: with immediacy, a chronological sense of prediction is instilled in the viewers. Churning Seas has the immensity of a planet predominantly submerged in water as a central theme, and as a prelude to this realisation, it makes us start our sensorial journey — enhanced by an immersive soundscape — on a seaside during Spring, where the sunlight pours over rocks whilst squawking seagulls glide across the screen. The focal point in this fragment of multi-channel moving image is the unsettling swarming of insects hovering over a rocked, abandoned vessel, its fragility emphasised by the presence of a tiny folded paper boat lingering by it, as to dramatise the promptness through which the composition evokes, at antithetical ends, the mighty complexity of marine life and the current global ecological crisis.  This prelude is redolent of memory and the past, yet it also points to the teleological narrative that Yang reflectively constructs in this work, as scenes and events poetically unfold before our eyes. Accordingly, and with a

Greg McKenzie: Technical Mastery, Professional Discipline, and a Results-Driven Approach at Craft Collective Salon Group

Greg McKenzie: Technical Mastery, Professional Discipline, and a Results-Driven Approach at Craft Collective Salon Group

By: Scarlett Norwood A Stylist Built on Precision and Experience Greg McKenzie brings a highly disciplined, technically grounded approach to hairstyling that reflects years of experience and a deep respect for the craft. As a stylist at Craft Collective Salon Group, Greg is known for his precision, consistency, and ability to deliver results that feel clean, intentional, and enduring. His work emphasizes structure and control. Greg believes that strong hair starts with strong fundamentals, and that attention to detail at every step of the process leads to results clients can rely on long after they leave the salon. Entering the Industry With a Focus on Mastery Greg’s entry into the hair industry was driven by a desire to master a technical skill set that blends creativity with discipline. Early in his career, he placed heavy emphasis on cutting structure, balance, and understanding hair movement. Rather than chasing trends, Greg focused on repetition, refinement, and building muscle memory behind the chair. This commitment to mastery allowed him to develop confidence across a wide range of services and hair types while maintaining a consistently high standard of execution. His approach reflects patience, preparation, and long-term thinking. A Consultation Built on Strategy and

Emma Stone Earns 6th Oscar Nomination for ‘Bugonia’ Performance

Emma Stone Earns 6th Oscar Nomination for ‘Bugonia’ Performance

Emma Stone has achieved yet another career milestone, earning her sixth Academy Award nomination for Best Actress for her role in Bugonia. The 2026 nomination cements her place among the elite performers of her generation and underscores her versatility as an actress. Stone, who won her first Oscar for La La Land (2017), added another win in 2024 for Poor Things. Her nomination for Bugonia marks a new chapter in her career, reinforcing her standing as one of Hollywood’s most respected talents. With her ability to balance commercially successful roles with bold, risk-taking performances, Stone continues to stand out in the competitive landscape of modern cinema. At just 30-something years old, Stone has accomplished what many performers take decades to achieve. Few actors have accumulated this level of recognition in such a short time, further solidifying her impact on the industry. Stone’s Powerful Performance in ‘Bugonia’ Bugonia is a psychological thriller that blends high-stakes drama with social commentary. Stone’s performance, lauded by critics, combines vulnerability and intensity, making her portrayal the emotional heart of the film. In this unconventional role, she departs from more typical characters, choosing instead to take on a demanding, layered performance that captivated both critics and

How Kicki Edgren Transforms Inner Landscapes Into Figurative Form, Giving Voice to Emotion Without Words or Compromise

How Kicki Edgren Transforms Inner Landscapes Into Figurative Form, Giving Voice to Emotion Without Words or Compromise

Kicki Edgren moves through the world with a brush as a compass. From her early years in Sweden in 1972 to her present studio in Gothenburg, she has turned painting into a language for what often remains unspoken. She does not aim to decorate, but to translate the invisible. Each brushstroke carries psychological weight shaped by careful observation and lived experience, making painting both an inquiry and an anchor. The Language of the Invisible Kicki’s paintings are not concerned with surfaces. They reach toward what exists beneath them. She observes the body as a living text, reading posture, gesture, and fleeting movement as emotional signals. A slight turn of the wrist, the drop of a shoulder, a shift in balance, these details become her vocabulary. She refers to this moment as the “small dot,” a quiet turning point where emotion begins to reveal itself. What is visible in her work is only part of the story. What is held back carries equal weight. Through space, restraint, and measured motion, the figure moves beyond representation and becomes an emotional environment. Each canvas becomes a meeting point that asks for attention rather than comfort. Layers Beneath the Surface Working across multiple design