
The Early Musical Journey of Lesley Ray and the Influence of Orchestral Performance on Her Later Design Work
Classical training remains one of the most effective means of developing discipline and ear conducive to a career in music. Young individuals who learn an instrument over several years exhibit enhanced memory and language development. Additionally, involvement in an orchestra is correlated with increased cooperation and attention. In the United States, youth orchestras for advanced musicians give thousands of children and adolescents the unique chance to receive technical instruction and participate in large group experiences in public performance. An example of this type of opportunity is the Contemporary Youth Orchestra, located in Cleveland, Ohio, since 1995, and known for its unique aspect of youth and adult musicians performing together in the orchestra. In this environment, Lesley Ray built a foundation that would serve her far beyond her musical abilities. She was born on January 13th, 1989, in Cleveland, Ohio, and began to learn the violin when she was six, normally the same age when many professional string players begin to put in years of their life developing technique. The initial exposure to classical and contemporary literature helped develop an ear for tone and timing, which would serve her later in other creative areas. Ray learned from conductor Liza Grossman, who


















