Since releasing their debut album The Art of Burning Bridges, The Sunmills have been offering fresh perspectives on alt-rock, and more listeners seem to be taking notice. Their blend of raw emotion and melodic hooks invites both longtime fans of the genre and newcomers to experience something both familiar and refreshingly different. The band’s willingness to embrace vulnerability, paired with their unapologetic energy, creates a compelling atmosphere that resonates across diverse audiences. As more people discover their sound, the potential for wider recognition grows steadily.
Shortly after its release, the figures started to rise: “Rock and Roll” has exceeded tens of thousands of streams, while “Burning Bridges” is nearing a notable milestone and steadily gaining momentum, and deeper cuts like “Not Going Home” and “Sucks To Be You” are gradually appearing in playlists as if they’ve found a natural place there. For a band built on emotional recklessness, this kind of momentum feels like it might lead to something more steady (but don’t worry, they’re still unhinged in the best way).
If The Art of Burning Bridges is a breakup, then “Rock and Roll” is something like the rebound. It’s brash, unapologetic, and highly engaging, a statement track that suggests: “We’re not here to be background noise, we’re here to make an impact.” And the fans? They’re responding with enthusiasm at full volume. The guitar slaps, the groove runs deep, and the energy is pure “watch me rebuild in real time.” The live shows have been especially notable, where the chemistry between the band members and the audience generates an electrifying vibe, further proving their music’s powerful effect beyond just streaming numbers.
Photo Courtesy: The Sunmills
Then there’s “Burning Bridges,” which could be considered one of the most memorable tracks. It’s cathartic chaos wrapped in a killer hook, a song for anyone who’s ever ghosted, been ghosted, or written a long paragraph and never hit send. It’s not just a banger, it functions as a kind of coping mechanism.
“Not Going Home” taps into something different: the refusal to shrink. It’s an anthem for the misfits who’ve outgrown old versions of themselves and aren’t looking back. And “Sucks To Be You”? It’s exactly what it sounds like. Play it after a breakup. Or a bad meeting. Or anytime someone tries you. It’s snarky, savage, and the musical version of a smirk.
What makes The Sunmills stand out isn’t just their sound; it’s how honest, human, and hilariously relatable they come across. They’re not trying to fix you. They’re not even trying to fix themselves. But they seem to have a knack for helping listeners feel a little better about the mess. In a world full of recycled rock clichés, this trio is making music that feels like it was created by people who’ve genuinely experienced these emotions. Their lyrics often capture moments of doubt and defiance, balanced with melodic sensibility, which invites listeners to reflect on their own journeys. This honesty is a key factor in why their songs linger in the mind long after the last note fades.
Play it loud. Sing it louder. And maybe keep a fire extinguisher nearby, because The Art of Burning Bridges is gaining attention, and The Sunmills appear to be just getting started.
You can listen to the full album on Spotify here.
