In the dynamic landscape of London’s art scene, an artist is quietly making waves in the art world. Meet Jialong Miao, a Chinese-born artist, embarks on a captivating exploration of time and archaeology. His works, characterized by a distinctive blend of nostalgia and curiosity, transcend traditional boundaries, inviting viewers into a realm where past, present, and future converge.

Miao’s artistic narrative is his innovative take on future archaeology. He skillfully envisions our contemporary objects as potential artifacts of the future, weaving a conceptual framework that challenges our understanding of temporality. This imaginative approach serves as the linchpin of his creative endeavors, a thread that intricately connects each piece within his body of work.

In his Antiquities series, Miao creates ceramic sculptures of everyday objects like cameras, laptops, and DJ deck—iconic items representing the 21st century. These objects, laden with cultural and technological significance, become the canvas through which Miao paints a portrait of an era marked by rapid technological obsolescence and the digital dematerialization of our surroundings.

As spectators engage with the Antiquities series, they find themselves not only witnessing an exploration of technological evolution but also embarking on a journey through temporal dimensions. The collision of the familiar and the ancient prompts a profound reflection on the nature of human existence and the relentless march of time.

The “3099”, in particular, serves as a poignant commentary on our transient nature of our existence. Drawing inspiration from both romanticism and pop art, Miao orchestrates a visual symphony that resonates with viewers, inviting them to contemplate the fluidity of time. Miao’s ceramic sculptures act as artifacts themselves, frozen in time yet perpetually relevant in their exploration of the human experience.

Photo Credited to: Jialong Miao, “3099”, CERAMIC, STEEL 2 x 1 x 2m, 2021

Influence of Ancient Chinese Ceramic on Miao’s Artistic Journey

Ceramics are an important archaeological source of information, teaching us indirectly more about the people in the past who made, used and discarded it. Growing up in China, Miao was profoundly influenced by the rich heritage of Chinese ceramic culture. The ancient traditions and philosophies embedded in Chinese pottery and artifacts became a significant source of inspiration for his artistic endeavors. This cultural backdrop instilled in him a deep appreciation for the historical and symbolic significance of ceramics, shaping the foundation of his unique approach to the art form.

Through the profound analysis of ceramic materiality, Miao infuses this ancient art form into a contemporary context. Ceramics, in his hands, become more than just a material; they serve as a medium for expressing complex concepts and rich cultural connotations. This depth of aesthetics and material exploration collectively shapes the unique allure of Miao’s works, establishing him as a standout figure in contemporary ceramic art.

Photo Credited to: Jialong Miao, Antiquities Series, 2023, Ceramic, 32 x 30 x 4cm

A Journey Through Temporal Dimensions

In Miao’s hands, The ceramic sculptures, frozen in time, serve as both artifacts and contemporary commentary, inviting a nuanced contemplation of our ever-changing relationship with technology.  Through this artist’s lens, we are not merely observers but active participants in a dialogue that transcends the confines of conventional artistic expression. Miao’s creations, an eloquent testament to the interplay of time and objecthood, firmly establish him as a pioneering force in contemporary ceramic art. 

There are melodies that resonate with us – and then there are melodies that define us. When it comes to the soulful singer-songwriter, Jeremy Parsons, each song is an encapsulation of life lived earnestly and felt deeply. This talented Texas-born artist has recently made waves on the music charts with his latest single, “Life Worth Dyin’ For,” released on August 18th, 2023, peaking the UK iTunes Country Songs Top 10. Following the success of his previous Top 15 UK iTunes hits, “Tickin’” and “Humanity,” this triumph is yet another testament to his unfeigned musical craftsmanship.

Parsons’ music is well known for its authenticity, and “Life Worth Dyin’ For” epitomizes this sincerity in every note. The track provokes contemplation of a life fully lived, a life imbued with fulfillment and achievements that makes it worth every sacrifice – a life truly worth dying for. This is a theme that resonates with Parsons, who regularly grounds himself with deep introspection, “Every morning I wake up, and I check in with myself… if it all ended today or even right there at that moment, would I feel content with the life that I lived? The answer is always a resounding yes.”

His music, vivid with evocative anecdotes, presents a vast canvas where thoughtful lyrics paint pictures of life’s various hues. Parsons’ keenly perceptive and meaningful lyrics have not only captivated listeners around the globe but proudly featured on various renowned platforms – the Roots Music Report, IndieWorld Report, Hits You Love Pop Charts, National Radio Hits, and New Music Weekly. Furthermore, his music videos have enraptured audiences at prestigious film festivals like the Jersey Shore Film Festival, Munich Music Video Awards, and Rome Music Video Awards.

Less than a month since its release, “Life Worth Dyin’ For” amassed more than 70K Spotify streams, attesting to Parsons’ growing influence in the country music scene. The track’s success is not a result of fortuitous luck but a beautiful synergy of deep, thoughtful lyrics and Parsons’ innate ability to transform raw emotion into melodic mastery.

However, Parsons isn’t just a maestro behind the mic; he has a vivid presence on social media platforms as well. Fans can dive into his musical world through his website, www.jeremyparsonsmusic.com, and get a glimpse of his life and inspirations on Instagram. With an intimate look at his creative process on Twitter and frequent updates on Facebook, Parsons cultivates a deep connection with his growing community of followers. Moreover, his full discography is available on Spotify, where fans can immerse themselves in his lyrical universe.

In an era saturated with fleeting digital trends, Jeremy Parsons serves as a soulful reminder of music’s power to articulate life’s profound truths. Achieving the #1 spot on National Radio Hits AC40 and Country airplay charts, “Life Worth Dyin’ For” is not only a testament to Parson’s musical prowess but also a lyrical embodiment of living a fulfilling life.

As the insightful Texas-born singer continues to check in with himself every morning, he repeatedly finds contentment in his journey, a theme that reverberates through all his compositions, including the chart-topping “Life Worth Dyin’ For.” Regardless of where life’s path may lead him, Parsons assures he will keep creating music reflective of his growth and introspections, continuing to inspire awe and admiration among his fans worldwide. ‘Life Worth Dyin’ For’ lays bare not just Parson’s musical brilliance, but an artistic journey deeply steeped in authenticity and introspection, making it a soulful anthem for many.

Meet the dynamic musical duo Payso and Frequency. These two talented artists, both producers in their own right, hail from vastly different backgrounds but came together several years ago to embark on a remarkable journey of music creation.

Frequency’s journey began on the streets of Philadelphia, where he was born and raised, and he later made a home in New Jersey. Music found him at a young age when he was captivated by the film “Drumline,” starring Nick Cannon. The movie’s unique musical performances, characterized by different sounds and intricate patterns, sparked his fascination with music. He embarked on his musical journey by creating R&B compositions. Another significant influence on his path was the legendary Jay-Z, a fellow East Coast native renowned for his relentless hustle and determination.

Photo Credit: Miezeer Images

In contrast, Payso’s roots trace back to parents who were born and raised in Mexico before making their way to California. Growing up in the vibrant coastal city of Huntington Beach, he developed a profound passion for music. His exposure to mainstream electronic music ignited his curiosity, leading him to explore the works of various DJs and even delve into pop music. It wasn’t long before Payso began crafting his unique blend of electronic music, hip-hop, and many other genres. One of his most significant inspirations was the iconic Skrillex, whose distinctive style left an indelible mark on his musical journey. Eight years ago, Payso took a bold step and relocated to Los Angeles, fueled by his dreams of pursuing music. His parents’ unwavering support, motivation, and indomitable spirit were instrumental in turning his musical aspirations into a reality.

The paths of Payso and Frequency serendipitously converged at a music house in Burbank, a vibrant creative hub where diverse musical talents gathered to collaborate and network. During this period, Frequency worked alongside the talented Jordin Sparks, who entrusted him with vocals to craft a dance record. He brought the project to his musical partners, one of whom was Payso. Their collaboration resulted in the hit track “This Feeling Remix,” marking the inception of their fruitful musical partnership.

Payso and Frequency have since created chart-topping hits, with a personal favorite being the acclaimed “Florida Water.” Their collaborative endeavors have extended to collaborations with notable artists such as Danny Towers and Ski Mask The Slump God. While they have achieved remarkable success as a duo, Payso and Frequency continue nurturing their separate artistic identities. Frequency, for instance, is currently working on an EP titled “Annalea,” featuring guest appearances by prominent artists such as Romeo, Jordin Sparks, French Montana, and D-Smoke. This EP serves as a heartfelt dedication to his grandmother. On the other hand, Payso, influenced by his heritage, collaborates extensively with Latin artists, a theme that will be prominently featured in his upcoming EP titled “Los Hollywood.”

Venturing through the intricate landscape of the music industry, especially as independent artists, presents its fair share of challenges. Payso and Frequency acknowledge the presence of disingenuous individuals within the industry, individuals who often make hollow promises. In response, Payso emphasizes the importance of patience and humility as indispensable qualities to maintain amidst the music industry’s dynamic and sometimes unpredictable environment.

Throughout their careers, they’ve had funny and embarrassing moments, such as falling asleep in the middle of a session or completely losing an entire song from a compromised session on Protools.

Photo Credit: Miezeer Images

Finding your way through Hollywood can be tough, especially when pursuing everything independently. One of the main things they pointed out was the consistently disingenuous people they encountered. While the city is full of people giving out false promises, Payso says it’s important to remain “patient and humble.” 

What’s some advice you have for the readers?

Frequency: “Keep working, work hard, and don’t take no for an answer! Just keep thriving and stay in the faith; follow your heart.”

From an independent artist standpoint, Payso says, “Do what you do to make ends meet and eventually you’ll stumble into something. You’ll get that opportunity to excel.”

FREQUENCY

Spotify    Facebook    Instagram

PAYSO

Spotify    Facebook    Instagram

www.paysomusic.com

Renowned rocker John Vento, who delighted audiences worldwide as the vibrant front man of The Nied’s Hotel Band, unveils a fresh chapter of his musical journey, encapsulating his enduring passion for his craft. With a brand-new single set to captivate hearts and a new group to accompany him, Vento makes a compelling comeback.

The upcoming single, christened “Love, Lust & Wreckage,” holds the honor of being a title track of Vento’s 2019 album. Adding to the anticipation, it is also the debut single of his newly formed group, Vento, Ziggy, Hawk & McCarthy, to be released on November 30th, 2023.

In the halcyon days of his remarkable career, Vento’s inimitable stage presence combined with raw vocal prowess propelled The Nied Hotel’s Band to significant success. His solo releases tenderly showcased the nuanced versatility of his musicianship, charting a unique trajectory in the rock landscape. In his latest endeavor, Vento collaborates with producer David Granati, once again tapping into the responsive chemistry that has birthed formerly dazzling works.

“Love, Lust & Wreckage” deviates from Vento’s rock roots, instead constructing a stripped-down, traditional country track. A testament to the group’s cohesive synergy, the latest song features contributions from all four members. It was penned by Shane McLaughlin and Bob “Ziggy” Zigerelli. Vento charms with his vocals, while Ziggy’s acoustic guitar resonates with heartfelt emotion. Cherylann Hawk’s sandblock rhythm and vocals blend seamlessly with Kevin McCarthy’s mandolin and vocals, creating a distinctive warmth that characterizes this engaging track.

In a statement, John Vento spoke about the formation of this new collaborative, sharing, “We’ve all worked together for years, primarily in the studio, and just decided to formalize the group this past August, as a performing band.” His words hint at the strong foundation of camaraderie and mutual respect upon which Vento, Ziggy, Hawk & McCarthy is built. This, in turn, translates to enchanting melodies that leave a lasting impression.

The group’s intentional approach to music is evident in the raw authenticity and pure emotional draw of “Love, Lust & Wreckage.” It proves once again why Vento remains a central figure in the music scene, pushing boundaries, constantly exploring new genres and creative possibilities. The blend of seasoned experience and innovative thinking echo throughout the track, making it a must-listen for long-time fans and new audiences alike.

The formation of Vento, Ziggy, Hawk & McCarthy and the announcement of “Love, Lust, & Wreckage” indicate exciting times for Vento and his band. The four accomplished artists, each bringing their unique musical sensibility to this collaboration, promise to make waves in the world of traditional country music. In this new chapter of his already storied career, Vento is poised to continue influencing and inspiring with his musical versatility, and “Love, Lust & Wreckage” is just the beginning.

Stay connected with Vento, Ziggy, Hawk & McCarthy and learn more about their upcoming releases at their official website https://vzhm-music.com/. Be the first to hear their new single, “Love, Lust & Wreckage” and join them on their trailblazing hearts-and-minds tour of traditional country music. The journey promises to be as captivating and resonant as the group’s inaugural single, embodying their collective ethos of pushing musical boundaries while staying rooted in authenticity.

In the shifting terrains of contemporary art, a unique dichotomy exists — one that uncovers the intricate layers of social isolation while paralleling it with the remnants of our consumption-driven society. Referencing Visual Artist and photographer Mengting Matilda Zhou’s urban landscape and street portraiture found in her work titled: “In The Room IV (2017)” while exploring the psychological distance and symbolism articulated in Zhou’s body of work titled: “The Compressed Trash City.” We will attempt to uncover how both bodies of work shed light on the invisible barriers that define our modern existence, using aesthetics that challenge conventional notions of observation and emotion.

Zhou’s artistry establishes its foundation in exploring the profound yet intangible barricades among individuals, particularly delineated by their social strata. The initial observation may reveal stillness, perhaps a mellow palette that does not scream, but instead, whispers. A deeper dive into Zhou’s works divulges an ocean of emotions, subtly narrating tales of solitude wrapped in a peculiarly comforting isolation. This seclusion, though stemming from societal disparities, forms a callous around oneself, safeguarding the inner vulnerabilities of the individuals documented.

Her street photographs serve as an exploration into the essence of human existence — the invisible walls we erect around ourselves based on social classifications. These are not just barriers of wealth or culture but deep-seated psychological partitions that determine how we perceive and are perceived by the world.

Mengting Zhou_In the Room IV 01_2017

Much akin to the observational depth and emotional connectivity found in Zhou’s portraits and urban landscapes, “The Compressed Trash City” also communicates a less audacious yet critically reflective commentary on emotional textures and societal structures. Her work beckons viewers to ponder on the understated emotions that are captured — the silent distances, the subdued expressions, and the somber cityscapes. There’s a profound melancholy, but with it comes an equally profound realization. This isolation, while often seen as a division, can also be a protective cocoon — a self-imposed safeguard against the judgments and expectations of the external world.

Mengting zhou _The Compressed City_01 2017

Ensuring each compressed crate is documented with meticulous detail, much akin to Bernd and Hilla Becher’s unwavering dedication to capturing every nuance of their industrial subjects. The compressed cardboard box structures are rendered with a scientific consistency: identical lighting, similar spatial arrangements, and a neutral background that mitigates distraction, propelling the viewer’s focus squarely onto the subject. In a parallel universe of aesthetics, where cardboard sculpture becomes the muse, we witness an implicit but poignant narrative emerging from their passive existence. Here, the cardboard boxes, once symbolic of consumeristic ventures, also echo the silent stories of the people and places they have traversed, almost resembling the societal structures, where the entities are continually molded by personal experience.

When transmuted into small or large architectural formations, their existence evolves from mundane utility vessels of consumerism into articulations of whimsical rebukes aimed at the heart of capitalist absurdities.

Mengting zhou _The Compressed City_026 2023

The cardboard boxes, once carriers of goods and symbols of consumerist desires, now find themselves in a liminal space — recycled and reimagined into intricate formations. These formations, so decisively architected, seemingly appear to be safe havens, preserving tales of their past life cycles while smirking at the consumptive proclivities of society. However, instead of the stark industrial landscapes captured by the Bechers, these compressed cardboard structures become emblematic of late-stage capitalism’s whimsy. There’s a satire here, nearly as deadpan as a Wes Anderson film. This satire is not just about consumption but also about the cyclical nature of existence. Just as Zhou’s subjects find solace in their intangible barriers, these boxes, too, find a second lease of life, albeit in a form that playfully mocks their original intent. “The Compressed Trash City ” might portray a paradox where forlornness becomes a shelter, a safeguard against external judgments and emotional expenditures. Simultaneously, the cardboard compositions silhouette a similarly paradoxical narrative, where discarded materials, emblematic of capitalist excess, become visual metaphors for wastefulness and environmental negligence, yet also transform into objects of beauty and subtle social critique.

Zhou’s work in “The Compressed Trash City（2017-2023）” & In The Room IV (2017)” although divergent in subjects and emotional tones, bridge a connection through their subtle unaltering of social narratives. Both articulate a nuanced dialogue about seclusion — one psychologically rooted amidst human connections, while the other physically manifested through post-consumer materials. Her work beckons viewers to ponder on the understated emotions that are captured — the silent distances, the subdued expressions, and the somber cityscapes. There’s a profound melancholy, but with it comes an equally profound realization.

Both works implore the viewer not just to see but to look beyond the tangible and engage with the stories, critiques, and paradoxes embedded within. They narrate tales of loneliness and survival, compelling the observer to ponder upon the psychological and physical landscapes that concurrently manifest security and critique within their silent boundaries, they speak to our inherent need for definition — whether it’s defining our societal roles or the lifecycle of the objects we consume. Yet, in these definitions lie contradictions. Zhou’s subjects find security in their solitariness, and the boxes find purpose in their reincarnations. Be it through exploring emotional barricades amidst communal stratification or through scrutinizing the lifecycle of a material symbolic of consumption and discard, Zhou finds a way to subtly sew in layers of contemplation, critique, and unexpected beauty, unfolding a realm where observers are invited to lose and then rediscover themselves in the silent tales whispered by static images.

Photo Credit: Giovanni Urgelles

– About writer Giovanni Urgelles: Art educator at Success Academy Charter Schools, visual artist, based in New York City. Originating from Sleepy Hollow, Mr. Urgelles developed a profound affinity for photography and collage during his formative years. He pursued his academic studies at the School of Visual Arts and subsequently earned his Bachelor of Fine Arts from SUNY Purchase College.

Throughout his illustrious career, Mr. Urgelles has garnered commendations for his exemplary contributions to the field. Notably, his photobook “Ossining” has been acquired by esteemed institutions such as the Metropolitan Museum of Art, The Getty Institute, Whitney Museum, Guggenheim Museum, Amon Carter Museum of American Art, Syracuse University, ArtCenter College of Art and Design, School of the Art Institute of Chicago, Arcadia University, Texas State University, University of Iowa, Ryerson University, and George Washington University.

His artistry has graced exhibitions in locales including Manhattan, North Carolina, and Pingyao, China. Influenced by luminaries such as Adrian Tomine, Edward Hopper, and William Eggleston, Mr. Urgelles endeavors to capture images that evoke tranquility and highlight the beauty inherent in life’s ordinary moments.

Mr. Urgelles is passionately dedicated to imparting his expertise in art and photography to underserved students of color. His mission is not only to educate but to ignite in them a fervor for using art as a medium of social consciousness, hoping to usher in a new cohort of artists intent on affecting societal transformation.

Deric Wu (Wu Hao), a director of Xingmei International Investment Group and the founding CEO of the renowned Chinese brands Sanyou Hui and Hongmen, has over ten years of product art design experience, becoming a versatile artistic business leader and design expert. His creation, the “Longmen Tea Box,” has garnered over a billion views in more than 18 countries and debuted as the world’s first story tea box in Times Square, New York, and on the NASDAQ screen in 2017. His design of the “T-one” tea ceremony introduced the first velvet tea bag in the Chinese domain, continuing and enhancing the hospitality methods of Eastern nobility. His expertise covers industrial design, 3D art design, graphic design, experience design, and design systems. His contributions to Eastern aesthetics and modern commercial applications have deeply influenced the Chinese field, greatly enhancing the visual communication and emotional conveyance of art design and Eastern aesthetics on the global stage. His main works include Longmen, T-one, Songhe Fragrance Box, Pure One, among others.

Using oriental elements in modern design is quite cool.

In recent years, Deric Wu’s (Yanghao.Deric) design brand Sanyou Hui has successfully incorporated multiple retro elements into its product line. For instance, last year’s skincare products used ceramic materials, while the Hui skincare series packaging used original eco-friendly paper. These products display distinct Chinese elements in their design, offering unexpected surprises. Consumers have responded positively to this modern Chinese design approach.

Image internally provided

Deric Wu believes the positive feedback comes from satisfying the personalized expression needs of young people. Compared to their counterparts in the United States and Japan, Chinese youth are quite active in embracing eco-friendly themes and accepting the concept of sustainability. Many young people consider this approach to be very cool.

The cool perception is inseparable from the hard work behind the design team. Take the “Skin Base Conditioning Series Ceramic White,” for example. In this product, the material itself is white, not requiring any spraying, naturally completing a story of pure care. This process of defining a product starting from the material is, in the eyes of the design team, a fun exploration.

This exploration process is actually quite complex, as Deric Wu explains. The birth of “original mixed new element materials” involved numerous field factory surveys in China and abroad, ultimately choosing a specific Chinese factory for ceramic firing. This involved various considerations, including local demographic factors, sustainable usage cycles, and carbon emissions during transportation. Consequently, the product naturally possesses a strong sense of mission and story

The designer’s job is to enrich the story. The packaging material could be white or other colors. However, during design and development, designers focus on how to express and narrate the eco-friendly characteristics of the material, choosing colors and textures that everyone can understand. Upon seeing the material, people can sense the story behind it and feel nature’s beauty through multiple senses. A well-crafted story can generate powerful influence, building a sacred sense of mission and raising environmental awareness among more people. This is the vision of Deric Wu’s design team.

Helping the public understand and accept new technology is the pursuit of art design.

In 2023, the Sanyou Hui brand launched a product exhibition featuring museum art and modern technology elements.

This product design exhibition showcased innovative materials and technology, like a dazzling pearl, highlighting Deric Wu’s (Yanghao.Deric) exceptional pursuit in storytelling. Another multisensory exhibition hall, like a gem of art and technology fusion, displayed the limitless charm of art design in technology application.

This multisensory exhibition hall gathered leading new technologies from around the world, such as museum gallery illustrations, 360-degree spatial sound field mapping, and 4K projection. Their perfect combination in space created an immersive 3-minute sensory experience. Standing at the entrance, observing every visitor exiting the exhibition hall, their expressions were filled with wonder, as if they had just emerged from a fantastical dream, still immersed in that unparalleled experience.

Regarding the purpose of creating such a multisensory exhibition hall, Mr. Wu said, “My design has always had a tradition of blending design with new and characteristic technologies in every event to highlight new technologies or concepts, using design language to express and assist in spatial design. The entire presentation is aimed at reflecting the core point in a design language that the public can understand and accept.”

This philosophy is also progressive, evolving from the initial isolated combination of product design and technology to now focusing on content design and technological integration. As the times change, the team’s design no longer limits itself to form but focuses more on expression itself.

Mr. Wu’s design team conducts an internal project annually, inviting designers from around the globe to participate and exchange ideas, aiming to achieve cross-cultural international context expression from a global perspective, reaching a common understanding. After forming a consensus, the design team will combine each designer’s background, localizing it and transforming it into various products, user interfaces, or spatial designs. This unique culture of Wu’s design team reflects the diversity of expression and the characteristics of an international development route.

Art design is a journey in search of empathy.

The relationship between design and technology has always been in a delicate balance. In today’s competitive and intensely internal consumer goods field, the birth of a product often involves complex debates and compromises between design, technology, and business. Last year, the Dynamic Island design of the iPhone 14 Pro became a hot topic. Despite receiving widespread criticism after its release, surprisingly, it helped boost the sales of the iPhone 14 Pro.

However, some interpret this as Apple’s deviation from Steve Jobs’ design-first philosophy, seeing it as a case where design has yielded to functionality. As a company most admired by Jobs, how does the team balance design and functionality? This sparked great curiosity before my attendance.

Mr. Wu believes that even within his own team, there’s no definitive answer to this question. For a business line as complex as an international development platform, projects vary widely, and different types of projects require different balances. He points out that both design and technology need full consideration, without a fixed pattern to determine who serves whom. This means that whether design serves technology or technology serves design, a balance and decision must be made based on the specific situation.

Sourced Photo

In the fusion of business and creative art, their core lies in their complementary nature, jointly conveying emotion. This is because design is not just an artist’s free creation but also a process of meeting needs. Hardcore science and business are hard for consumers to directly accept, hence the need to integrate them into daily life through design. From this perspective, technology must come first, and then design can intervene and contemplate how to make people use this technology.

Mr. Wu likens the combination of art design and business to drawing a beautiful scroll, awakening internal empathy, reaching consensus, and working towards the same direction. This process can be lengthy, requiring enough patience to wait. The birth of hundreds of successful works by the team often originates from a proposal everyone thinks is good, which, after continuous private practice and maturation, eventually becomes a project that changes the world.

Established in Southern California’s lush, vibrant landscape, turn has evolved into an unmissable icon within the cannabis and lifestyle market. Known for its top-notch hemp oils and cannabis, not to mention its popular vaping devices such as the turn podpak and turn vape pen, the brand has successfully intertwined quality with style. Driven by a mantra of ‘it’s your turn,’ the company has cultivated an aesthetic inspired by the Southern Californian vibe, which is boldly seen in its diverse range of apparel and accessories.

This Black Friday and Cyber Monday, turn is prepared to offer consumers an extraordinary opportunity to score top-quality products at discounted rates. In a move unlike anything previously seen from the brand, turn is extending a blanket discount across all their merchandise to last all Cyber Week long. The unprecedented 25% off sitewide is poised to make this the ultimate shopping season, making it a once-in-a-lifetime opportunity. As an extra bonus, customers spending over $100 will receive a free podpak vape kit, adding to the spree.

turn is widely renowned for the superior quality it brings to the marketplace. From their consumables to their fashion line, every item serves as a testament to turn’s commitment to excellence. The sale extends to their exquisitely designed merchandise, spanning an array of comfortable and stylish apparel and accessories that are fit for every season.

Customers can look forward to discounted rates on custom-designed sherpa-lined hoodies, perfect for the chilly winters ahead, and transit fanny packs– a trendsetting accessory for all seasons. Also featured in the sale are supremely comfortable socks, trendy joggers, and chic crop hoodies. Signature to turn’s commitment to quality, these items boast a ‘goldilocks fit’ and are guaranteed to-die-for durability, ensuring they won’t just be a one-season wonder.

Such an exclusive sale defies turn’s custom of never offering blanket discounts on all their merchandise, thereby presenting a unique chance to indulge in the brand’s offerings. The sale not only provides an opportunity to explore their remarkable assortment of goods but also serves as an invitation to immerse oneself in the turn lifestyle and philosophy.

turn’s reputation for fostering an intimate connection to the Southern California cultural essence is well established. The brand’s essence encapsulates an easy-going, but luxury-conscious lifestyle that balances effortlessly between the soothing calm of nature and the pulsating rhythm of urban dwellings. Encapsulating this aesthetic, turn’s merchandise mirrors the versatility, quality, and style that their customers have come to adore. 

Thriving on an undercurrent of passionate commitment to quality and style, turn continues to capture imaginations and satisfy discerning customers through its meticulously crafted collection of high-end cannabis products and lifestyle merchandise. As this sale marks an exception to their usual retail practice, it presents all the more reason to seize this chance to indulge in this unique brand’s offerings while enjoying substantial savings.

The exceptional Cyber Week deals are not just an invitation for customers to shop but a chance to experience the enviable SoCal lifestyle encapsulated by turn. Fans and followers are encouraged to keep a close watch on turn’s social media platforms, including Instagram, TikTok, and YouTube, as well as their web shops for the latest deals and products.

In a world teeming with cookie-cutter brands, turn stands tall as a beacon of quality, style, and individualism. Steadfast, in its commitment to being more than just a brand, turn encourages its followers to join their community and philosophy – urging everyone to take their turn in their own way. Revel in the spirit of the SoCal lifestyle this Cyber Week because, as turn always emphasizes, ‘it’s your turn.’

Marisa Milroy, a dynamic force in the world of storytelling, possesses a captivating and enigmatic approach to her craft. Hailing from Canada, she embarked on her artistic journey early, becoming a published poet at the tender age of seven. This early foray into the world of words paved the way for her exploration into fiction and, eventually, the cinematic realm when she delved into film at the age of eighteen.

A pivotal moment in Marisa’s journey was her relocation to Los Angeles at seventeen, where she honed her skills as a screenwriter, culminating in a Bachelor of Fine Arts in Screenwriting from The New York Film Academy. Her scripts delve into the intricacies of complex characters in unconventional worlds, with a distinct focus on LGBTQIA+ and mental health-driven narratives.

One standout piece in Marisa’s repertoire is the spec feature screenplay “AWAKE,” which garnered attention in various prestigious screenplay competitions. Its accolades include being a quarterfinalist for the Screen Craft Screenwriting Fellowship (2020) and earning an honorable mention at the First Frame International Film Festival 2021.

As the world underwent transformation, Marisa’s journey led her back to Vancouver, BC, where she adapted a young adult novel into an unreleased television mini-series for a local production company. Simultaneously, she collaborates with Florida Hill Entertainment on an LGBTQIA+ screenplay, showcasing the breadth of her storytelling.

A pivotal step in Marisa’s career was the establishment of her production company, Did You See Me Productions, in Los Angeles. Specializing in screenwriting and production, the company offers services such as ghostwriting and script doctoring. Notably, Marisa co-produced “The Secret Art of Human Flight,” which starred Academy Award Nominee Paul Raci and Grant Rosenmeyer, and screened at the prestigious Tribeca Film Festival in 2023.

Marisa’s current projects reflect her diverse interests and commitments. She is developing the TV show “Mija,” a story about the first generation of Los Angelitos settling in Boyle Heights, and is actively engaged in Latin projects, including a script about a Latin-American wedding. Marisa’s involvement with the non-profit organization Tad Health showcases her commitment to mental health and addiction awareness, where she produces and writes a podcast for high school and college students.

In a recent interview, Marisa reflects on her formative years at The New York Film Academy. Grateful for the insights gained, she emphasizes the importance of continuing education beyond formal settings, highlighting the value of reading screenplays and engaging with mentors.

Photo Credit: SGG Public Relations

Marisa’s entrepreneurial spirit led to the creation of her production company, inspired by her experiences working with talented businesswomen. Undeterred by initial intimidation, she embarked on the journey, driven by the belief that anything is possible.

When asked about dream collaborations, Marisa expresses a desire to work with director Darren Aronofsky for his unique and creative storytelling. For actors, she admires the transformative presence of Florence Pugh.

Marisa’s enthusiasm for her work is palpable, citing the joy of immersing herself in storytelling, collaborating with talented individuals, and being surrounded by imaginative minds. Her typical day, ever-changing, involves writing, developing new material, meetings, and indulging in the latest cinematic offerings.

As Marisa continues to build her legacy, her advice to aspiring producers, especially young women, resonates with the belief that nothing is impossible. Embrace challenges, build a supportive team, and boldly assert your unique contributions, she encourages. For Marisa Milroy, being a young female in the film industry is not a hindrance but a gift—one that she passionately shares through her compelling narratives.

In the dynamic crossroads of industrial design and illustration, Mengyan Li emerges as a visionary. Her expertise in hand sketching and storytelling places her at the forefront of ‘Idea Visualization.’ Recognized not only for her design acumen but also by influential figures like Ellen Lupton, Mengyan’s journey is one that delves deep into the intricate connection between creativity, storytelling, and the evolution of industrial design. In this exclusive interview, we sit down with Mengyan to uncover her design journey.

Mengyan, could you please provide a brief introduction and highlight a noteworthy accomplishment in your career?

Certainly. I’m Mengyan Li, an industrial designer and illustrator currently working at North Atlantic Import and Blackstone Products. I take pride in my exceptional hand sketching and storytelling abilities, positioning me as a standout in ‘Idea Visualization’ within the field of industrial design. Notably, my proficiency in this area has been recognized by graphic designer, curator, writer, critic, and educator Ellen Lupton. She cited my storyboards and viewpoints in her book “Design is Storytelling,” highlighting the significance of storytelling in the industrial design process.

How do you perceive the role of traditional hand sketching in industrial design?

Traditional hand sketching remains a fundamental skill for industrial designers despite the growing influence of 3D modeling. It serves as a crucial tool in the brainstorming process, aiding in the generation of diverse concepts swiftly. Well-executed design sketches not only showcase fundamental skills but also effectively communicate concepts to teams and clients.

Photo Credit: Mengyan Li

With your background in illustration and emphasis on ‘Idea Visualization’ and storyboarding, how do these skills enhance communication in your work?

My proficiency in ‘Idea Visualization,’ evident in hand sketching and storyboarding, plays a vital role in bridging ‘problems’ and ‘opportunities’ in industrial design. Storyboards, in particular, make presentations engaging, captivating audiences, facilitating comprehension, and enhancing memorability.

Can you elaborate on the importance of storytelling in the industrial design process?

Storytelling proves to be a powerful tool, making presentations enjoyable, instilling patience and curiosity, aiding understanding, and keeping audiences engaged. The human connection with narrative elements enhances the communication of ideas, making them more memorable.

Photo Credit: Mengyan Li

Given your dual roles as an industrial designer and illustrator, does your style significantly differ between industrial product design and drawing comics?

Yes there is a notable contrast in styles. Industrial designs are characterized by a rational, cooler aesthetic, while comics lean towards an emotional style, featuring finer and softer details, excluding illustrations of architecture and machinery where a design-oriented mindset prevails.

As a designer, how do you maintain inspiration and motivation?

Passion is the foundation of my motivation. Loving design keeps my motivation abundant. The creative process involves constant accumulation and exposure to diverse stimuli, fostering the emergence of new inspirations. Encouraging ‘daydreams,’ regardless of their apparent impracticality, is essential, as a broad imagination contributes to preserving creativity and providing mental relaxation.